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Mon, 07 Mar 2005
Minions are one in a million - 21:15
This all got me to thinking about that line out of The Whitlams song Up against the wall from the Eternal Nightcap album: "She was one in a million, so there's five more just in New South Wales". And it makes you wonder how common are Minions really?
Looking at ABS and using the suggestion from The Whitlams, I found that NSW has a population of ~ 6.7 million currently. Looking up the whitepages I found there are 6 Minions in NSW (8 show up because there are two in ACT). Interestingly none of the Minions show up in NSW in Metropolitan areas. Thus we already can derive some information about minions, if the Cornish example above, and this is an indication. Minions shy away from living in cities in preference for the country. Anyway, in NSW minions are approximately one in a million.
It is interesting however to note that ACT has 2 Minions with a population of ~ 400,000, this means we have more Minions per capita than NSW. I wonder there is any interest in working out Minion density for all the Australian states? Possibly not, unless of course, like Mikal, you have need of some with which to effect your next plan for world domination, whatever it may be.
No longer getting pickled sex toys. - 15:25
Missing the point. - 11:42
As an example of an album or an artist taking a while to mesh with me, lets use Ani Difranco. When I first started listening to Ani it was due to hearing some of the Little Plastic Castle album played on Triple J back in 1997 or so. I thought at the time that it sounded kind of neat, so bought the album, at first I did not listen to the album much. A few months later I put it back on and started playing it a fair bit more, not long after that I was hooked, something about the whimsy in some lyrics,the poetry in others, the amazing guitar work, the subject matter, whatever. This started my love of Ani Difranco music and lyrics, from then on I was hooked, however it definitely didn't happen immediately.
It still takes a month or two to get hooked on most new Ani albums (though I am, a year later, still not much of a fan of listening to Educated Guess), of course once in a while a song hooks me immediately, such as the new version of the song Not a Pretty Girl that was released on the live double album So Much Shouting, So Much Laughter, that song had me hooked almost from the first note, Ani, in my opinion nailed that song this time round. (before this I liked it enough on the Not A Pretty Girl album, but it was just another reasonably good Ani Difranco song).
I am sure I am no different to many people in how my music taste is caught, or how it evolves over time, enough talking about Ani for now though. I have mentioned Jodi Martin once or twice, I have her live album "Twenty One Stairs".
Now I am not a muso, so unlike BCG I am unable to comment on musical elements with any real knowledge of what I am talking about. (speaking of BCG, I remember one of the cool things about having him as a lecturer in a First Year Computer science subject was he would have Counting Crows, or Van Morrison or other good music pumping through the theatre before the lectures started while we all arrived) I will simply say what I think filtered through my listening capabilities.
After about two weeks, I have to say I like Jodi's music. It is not a simple guitar and singer folk music, there are elements of Reggae and of Blues in the sound she produces and the music. On the whole I think this album will continue to grow on me for a while yet. However one song suddenly hit me, knocking me over and leaving me most pleased to have purchased the album. Track 3 on the album, "Missing The Point" is pretty amazing, opening with solid beats from an Organ or similar, Jodi starts singing and this sounds like some sort of church choir, deep and rhythmic music similar to what you may remember hearing in movies such as Sister Act. The choir feel stays there throughout the song, largely due to the Organ and the rhythm to the lyrics at times. Jodi does however vary her voice and use of lyric delivery bit such that it stays interesting and forceful throughout. I was sitting in my office one night listening to the album about a week after getting it, and this track really did make me stop and listen. Magic stuff.
Update: thinking about it, I am often amused that the Ani album that hooked me was Little Plastic Castle, this is the album was the point at which, if you speak to many of the die hard fans from the early 90s, Ani Jumped the Shark, for so many early fans complained she no longer sounded the same and that they did not like the way her music was evolving. I just don't see the problem, sure it sounds different, but it is still incredible from a lyrics, guitar or simply listening perspective. Ahh well some people will not put up with change easily.